The Guidance of The Belief and Technical in The Poetry of Khwarij

The Guidance of The Belief and Technical in The Poetry of Kharijites

Abstract

This study is an attempt to make an approximation with the poetry of Khwarij considering specific characteristics through which belief and technicality interfere in constructing the architecture of a poetic text. The text has become a fully completed text and is embedded with highly emotional and revolutionary reflections reflecting an image of a sword and shield. This Khwarij poetry conveys the spread of short poetic passages and the poetic aromatics in between fear and aggression, covered intellectually, doctrinally, and socially, as the ideology of power dissipates. Most of this poetry sheds light on a central axis: the relationship between human beings, the self and the other, and in which women rose through the authority of the belief, carrying their banners in the mills of war; distanced sometimes from the scene of feminine nature in her role in a conflict between ideology and maternal reality along with its paths; her influence through her legislation for sitting, leaving, and leadership; her authority to break the dominance of men; her reflection in the formation of their poetry; and her clear distinction in the structure of the argument in most of the poetry, with the weakness of their literary heritage, with or without Umayyad intent. The current study examines various scenes of employing the technique of imaginative narration in order to convey the idea with its first techniques, away from the complexity of the mental image that requires the work of the mind, which is not compatible with their fast-paced lives, and their reliance on embodiment images in which the colors of war are closer to the directness of reality. The study relies on technical spectra that frequently reach the point of similarity to emphasize the issue of alienation, longing, and haste to shorten the distance between the Creator and the created self that seeks this shortening. The scenes of boredom scattered with the life of this world and the longing to catch up with the dead brothers who passed away before, and the notion of terms such as martyrdom, paradise, insistence, godliness, and adjudgment, and the presence of lamentation, glorified by asceticism and covered by intertextuality with the sacred text through argumentative approximations, with the manifestation of emotion with less crying, and the shortage of wine drinking, modesty, and erotic poetry. We also had to stand on the tones of emotion, reflecting honesty with its social and artistic patterns and becoming extinct and hidden, and the notion of repetition that stopped some researchers from studying it as a deliberative phenomenon, which bore fruit in the reader and turned into an effective persuasive argumentative method in discourse with all its vocal, verbal, introductory, and structural levels.